Stage Hands

March - April 2007
Volume 14, Issue 2

Click on the links below to view the articles.

“Kinsey and I thought very much alike.”
by Gore Vidal
John Esther talks with the author of Point to Point Navigation

Big Daddy
by Andrew Holleran
Tennessee Williams revealed all—except how he wrote so well

In Search of a Lesbian Stage Tradition
by Carolyn Gage
Where to begin when all the models are patriarchal ones?

McNally after the “Gay Jesus” Play
by Raymond-Jean Frontain
The Corpus Christi contro led to a reflection on the power of art

Sterling Houston, Walkin’ His Blues
by Dennis Paddie
Reconstructing the African American experience onstage

A French Response to the Wilde Affair
by Richard Berrong
Pierre Loti went back to a 1685 persecution to voice his protest

Am I Permitted to Talk about Me?
by Tom Bianchi
How private citizens are being turned into agents of the state

The Life and Legacy of the DOB
by Marcia Gallo
Sarah Schulman meets with the author of Different Daughters

Brett Josef Grubisic — The Age of Cities
by Daniel A. Burr

BTW

Poem — “Driving the Train”
by Minnie Bruce Pratt

Poem — “Physical Education”
by Alex M. Frankel

Poem — “Savannah”
by Brian Brown